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[圖] 南京博物院明代文物一览
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小 发表于 2007-7-14 01:25 只看该作者
南京博物院明代文物一览
圣思桃形杯
明
高7厘米 口径10.5厘米
杯体为一年剖的桃实,杯下三足为小桃,又附丽花、枝、叶,是一件构思奇巧。制作技艺精妙的紫砂工艺极品。杯铭“阆苑花前是醉乡,拈翻王母九霞觞”,署“圣思”,钤“圣思氏”篆书阳文方印。托后配。
www.njmuseum.com http:> ');}" src="http://www.njmuseum.com/ware/images/big/zs/20021231_02.jpg" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new window\nCTRL+Mouse wheel to zoom in/out';}" border=0>
雕漆道符
明 高17.5 长7 宽3厘米 六面皆雕漆纹饰,正面双蛇纹,两边北斗七星纹,其余各面为蛇形符箓。
www.njmuseum.com http: 10_20020917.jpg?? lacquer> ');}" src="http://www.njmuseum.com/ware/images/big/lacquer/10_20020917.jpg" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new window\nCTRL+Mouse wheel to zoom in/out';}" border=0>
剔犀如意纹盘
明 高4 口径26厘米 癸口,浅圈足,内外如意云纹
www.njmuseum.com http: lacquer 08_20020917.jpg??> ');}" src="http://www.njmuseum.com/ware/images/big/lacquer/08_20020917.jpg" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new window\nCTRL+Mouse wheel to zoom in/out';}" border=0>
贯耳玉瓶
明
高18.7厘米 口径3.1—3.7厘米
1956年江苏省南京市牛首山弘觉寺出土
青白玉。器作圆瓶,长颈,双贯耳,圈足。通体雕刻纹饰,其中圈足、双耳雕刻螭龙纹,瓶身雕双层浅浮雕, 以龙纹、回纹、蕉叶纹、仰莲纹为地纹,上浮雕螭龙纹。
www.njmuseum.com http: 20020912_33.jpg?? jade> ');}" src="http://www.njmuseum.com/ware/images/big/jade/20020912_33.jpg" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new window\nCTRL+Mouse wheel to zoom in/out';}" border=0> | |
鸱吻形玉杯
明
通高13.8厘米 长径13.1厘米
白玉。杯作鹅吻形,雕鸱首为底,开虬尾为流口,再后加兽形把而成。鸱吻首作鱼龙形,张口露齿,卷须披发,体扁圆,饰绳索纹、勾连卷云纹、回纹等。
www.njmuseum.com http: jade 20020912_32.jpg??>
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金蝉玉叶簪饰
明代
江苏省吴县市五峰山出土
以构思奇特的方法,将一栩栩如生的金蝉,悠然自得地栖息在一洁白无暇的玉页上,金光玉耀,妙趣横生。
www.njmuseum.com http: jade 19.jpg??>
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黑漆描金人物纹盒
高13.5厘米,长50厘米,宽33厘米。四壁均用竹丝编制而成,内外遍髹黑漆为地。盒盖内及底面有描金楷书款"崇祯癸末方如椿奁"。崇祯癸末年是公元1643年。盒盖面为一幅描金山水人物故事图。有的学者研究认为这幅画面讲的是两晋时谢安运筹帷幄,大破敌军,于对奕时得传捷报的故事。也有的学者认为是反映明末一边歌舞升平,醉生梦死,一边是浴血沙场的社会景象。
www.njmuseum.com http: lacquer 05.jpg??>
');}" alt="" src="http://www.njmuseum.com/ware/images/big/lacquer/05.jpg" width=716 onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new window\nCTRL+Mouse wheel to zoom in/out';}" border=0 pop="Click here to open new window CTRL+Mouse wheel to zoom in/out" resized="true">
嵌螺钿西厢记纹盘
直径12厘米,夹紵胎,通体髹黑漆。盘边壁上一圈二方连续花卉纹以软螺钿夹杂金片平脱而成。盘心主体纹饰,张生正在亭中弹琴,莺莺小姐和红娘则在蕉石外侧耳倾听,正是《西厢记》中"琴桃"这段故事。以各色软螺片精心构图镶嵌,表现了很高的工艺水准。盘底心用极细软螺片嵌有"千里"款。江千里,字秋水,明末清初扬州软螺钿漆器最杰出的代表,作品极精致,有"杯盘处处江秋水"的美誉。
www.njmuseum.com http: lacquer 06.jpg??>
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蟠桃银杯
南明 湖南省通道县瓜地村南明窖藏出土。银杯为剖开的桃形,杯一侧有茎、叶,既作杯把,有做装饰,新颖而生动。
www.njmuseum.com http: 087.jpg?? treasure>
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明宣德青花寿山福海纹炉
青花寿山福海纹炉上虽然没有书官窑款,但它不仅是明代宣德朝官窑瓷,而且是官窑瓷中的重要器物。炉高58厘米,造型仿青铜鼎。它与一般白地蓝花的青花器不同,是蓝地白花,即以青花为地,白釉表现海浪。浓重的青花发色、青料略有蕴散的缺陷美、仿青铜鼎的造型与满器似要外溢的海浪相融于一体,使青花炉具有憾人心魄的艺术魅力,令观者为之动容。完整的宣德青花寿山福海纹炉仅存一、二件,足以见其珍贵
www.njmuseum.com http: 4.jpg?? porcelain> ');}" src="http://www.njmuseum.com/ware/images/big/porcelain/4.jpg" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new window\nCTRL+Mouse wheel to zoom in/out';}" border=0> |
鎏金银盘
明 北京市定陵博物馆。四出椭圆形,内底刻一对麒麟衔缠枝花。
www.njmuseum.com http: treasure 080.jpg??>
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金盂
明 北京市定陵出土。盂外壁饰以游龙戏珠纹
www.njmuseum.com http: treasure 057.jpg??>
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金爵、金托
明 北京市定陵出土。爵腹部及盘底有二龙戏珠纹样,爵柱端、下部及口沿镶嵌红、蓝宝石。极其华贵。
www.njmuseum.com http: treasure 046.jpg??>
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金壶
明 北京市定陵出土。颈部满饰如意纹,肩及腹部镶嵌白玉及各色珠宝,下部錾刻二龙戏珠。
www.njmuseum.com http: treasure 042.jpg??>
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金粉盒
明 北京市定陵出土。八角形,通体錾刻龙纹,底有“大明万历年制”款
www.njmuseum.com http: treasure 041.jpg??>
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